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                                                          face="Helvetica,






                                                          Arial,
                                                          sans-serif"> <b>Out
                                                          of Area</b><b><br>
                                                          </b><b>Karen
                                                          Koltermann /
                                                          Peter Boué</b><br>
                                                          <br>
                                                          Herzliche
                                                          Einladung zur
                                                          Ausstellungseröffnung


                                                          am<br>
                                                          Freitag, den
                                                          26. April um
                                                          18 Uhr<br>
                                                          <br>
                                                          <img alt="out
                                                          of area"
                                                          src="cid:part1.05070104.06050908@galerie-walden.de"
                                                          height="284"
                                                          width="400"><br>
                                                          <br>
                                                          Ausstellung
                                                          vom 27.04. –
                                                          18.05.2013<br>
                                                          <br>
                                                          <br>
                                                          Am Morgen des
                                                          14. Juli 1990
                                                          legte der
                                                          Irakische
                                                          Panzerkreuzer
                                                          Al Zahraa in
                                                          Bremerhaven
                                                          an, weil dort
                                                          die Maschine
                                                          repariert
                                                          werden sollte.
                                                          Am 2. August
                                                          (die Maschine
                                                          war repariert)
                                                          griff der Irak
                                                          Kuwait an, die
                                                          UN verhängte
                                                          ein Embargo
                                                          und das Schiff
                                                          wurde
                                                          arrestiert.
                                                          Ganze 21 Jahre
                                                          lag es dann
                                                          (zuerst viel,
                                                          später kaum
                                                          noch beachtet)
                                                          im Hafen von
                                                          Bremerhaven
                                                          fest. Das ist
                                                          der in der
                                                          Hafenstadt
                                                          aufgewachsenen
                                                          Künstlerin
                                                          Karen
                                                          Koltermann
                                                          nicht
                                                          entgangen. Sie
                                                          setzte sich in
                                                          ihren Arbeiten
                                                          viele Jahre
                                                          mit dem Schiff
                                                          auseinander,
                                                          im Juli 2011
                                                          machte sie
                                                          sich auf die
                                                          Reise zur
                                                          letzten
                                                          Station der Al
                                                          Zahraa, einer
                                                          Abwrackwerft
                                                          im Litauischen
                                                          Klaipeda. Die
                                                          Verantwortlichen


                                                          haben ihr
                                                          Zugang zu der
                                                          bereits
                                                          halbzerlegten
                                                          Schiffsruine
                                                          verschafft,
                                                          die Künstlerin
                                                          hat gefilmt
                                                          und
                                                          fotografiert,
                                                          die
                                                          Werftleitung
                                                          stellte ihr
                                                          großzügig
                                                          Material aus
                                                          dem
                                                          Firmenarchiv
                                                          zur Verfügung.
                                                          Koltermann,
                                                          zurück in
                                                          Berlin, hat
                                                          diese Beute
                                                          auf ihre Art
                                                          bearbeitet und
                                                          neu
                                                          zusammengesetzt,
                                                          auf Papier
                                                          gedruckt und
                                                          in ihrem Video
                                                          home, das auch
                                                          in der
                                                          Ausstellung zu
                                                          sehen sein
                                                          wird,
                                                          verarbeitet.
                                                          Die kuriose
                                                          Geschichte der
                                                          Al Zahraa ist
                                                          zu Ende. Mit
                                                          den home
                                                          -Arbeiten wird
                                                          auch
                                                          Koltermanns
                                                          Adaption des
                                                          Schiffes, die
                                                          Al Sahra zur
                                                          Ruhe gebettet.
                                                          Doch für die
                                                          Austellung Out
                                                          of Area hat
                                                          sie  nun
                                                          erstmals aus
                                                          dem spannenden
                                                          Archiv der
                                                          Abwrackfirma
                                                          geschöpft...<br>
                                                          <br>
                                                          Der Hamburger
                                                          Künstler Peter
                                                          Boué ist für
                                                          seine sehr
                                                          schwarztonigen
                                                          Fettstiftzeichnungen


                                                          bekannt. <br>
                                                          Ihre Eigenart
                                                          beschreibt
                                                          Belinda
                                                          Gardner im neu
                                                          erscheinenden
                                                          Katalog NATURE
                                                          OF MY GAME so:<br>
                                                          <br>
                                                          „Die in
                                                          Schwarzweiß
                                                          gehaltenen,
                                                          teils bis ins
                                                          tiefste Dunkel
                                                          oder in
                                                          extremste
                                                          Helligkeit
                                                          führenden
                                                          Terrains des
                                                          Künstlers
                                                          lassen oft an
                                                          Film-Stills
                                                          denken: <br>
                                                          Standbilder
                                                          einer
                                                          mysteriösen
                                                          Geschichte die
                                                          sich in den
                                                          Köpfen der
                                                          Betrachter
                                                          weiter
                                                          entfaltet.
                                                          (...) <br>
                                                          Literatur und
                                                          Film, die
                                                          Bildstrecke
                                                          einer
                                                          Tageszeitung,
                                                          die beiläufige
                                                          Beobachtung am<br>
                                                          Wegesrand, die
                                                          ins Surreale
                                                          gesteigert und
                                                          verfremdet
                                                          wird: der
                                                          Künstler setzt
                                                          die Hamburger<br>
                                                          Innenstadt
                                                          samt Galerie
                                                          der Gegenwart
                                                          unter Wasser.
                                                          Wie Wüsteneien
                                                          oder Meere
                                                          eines<br>
                                                          fernen
                                                          Planeten
                                                          wirken
                                                          Topografien,
                                                          die einer
                                                          erkennbaren
                                                          geografischen
                                                          Verortung
                                                          enthoben<br>
                                                          sind. Die
                                                          Brachflächen
                                                          und
                                                          ruinenartigen
                                                          Bauten, die
                                                          sich dort im
                                                          Zwielicht
                                                          zeigen, lassen<br>
                                                          an
                                                          untergegangene
                                                          Zivilisationen
                                                          denken und an
                                                          die Fragilität
                                                          der
                                                          Strukturen,
                                                          Häuser,
                                                          Städte,<br>
                                                          Fortbewegungsmittel,


                                                          in denen wir
                                                          uns in der
                                                          Welt
                                                          einzurichten
                                                          und durch
                                                          diese hindurch
                                                          zu<br>
                                                          navigieren
                                                          suchen.“<br>
                                                          Neben
                                                          ausgewählten,
                                                          mittel bis
                                                          großformatigen
                                                          Zeichnungen
                                                          werden auch
                                                          neue, für die
                                                          Ausstellung
                                                          Out of Area
                                                          entstandene
                                                          Bilder, zu
                                                          sehen sein. <br>
                                                          <b></b><br>
                                                          </font>
                                                          <hr size="2"
                                                          width="100%"><font
                                                          face="Helvetica,






                                                          Arial,
                                                          sans-serif"><br>
                                                          <br>
                                                          </font>
                                                          <hr size="2"
                                                          width="100%">
                                                          <p
                                                          class="Stil24"
                                                          align="left"><font
                                                          face="Helvetica,







                                                          Arial,
                                                          sans-serif"
                                                          color="#333333"><b><big>Walden








                                                          Kunstausstellungen








                                                          </big></b><br>
Hufelandstraße35<br>
                                                          10407 Berlin</font></p>
                                                          <p
                                                          class="Stil24"
                                                          align="left"><font
                                                          face="Helvetica,







                                                          Arial,
                                                          sans-serif"
                                                          color="#333333">Öffnungszeiten:

                                                          Do.- Sa. 15 -
                                                          19 Uhr<br>
                                                          +49(0)175 83
                                                          94324<br>
                                                          <a
                                                          moz-do-not-send="true"
href="http://www.galerie-walden.de/">www.galerie-walden.de</a><br>
                                                          <a
                                                          moz-do-not-send="true"
href="mailto:info@galerie-walden.de">info@galerie-walden.de</a><br>
                                                          </font></p>
                                                          <p
                                                          class="Stil24"
                                                          align="left"><font
                                                          face="Helvetica,








                                                          Arial,
                                                          sans-serif">direkt

























                                                          am Volkspark
                                                          Friedrichshain:
                                                          Tram 4, 10 /
                                                          Bus 200<br>
                                                          </font> </p>
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                                                          <hr size="2"
                                                          width="100%"><font
                                                          face="Helvetica,






                                                          Arial,
                                                          sans-serif">außerdem:<br>
                                                          <br>
                                                          <img
                                                          alt="transall
                                                          raumata"
                                                          src="cid:part4.00020908.05050601@galerie-walden.de"
                                                          height="190"
                                                          width="400"><br>
                                                          <br>
                                                          Reinhold
                                                          Gottwald<br>
                                                          <br>
                                                          <b>transall
                                                          raumata</b><b><br>
                                                          </b><br>
                                                          Einladung zur
                                                          Vernissage<br>
                                                          am Freitag, 19
                                                          April 2013
                                                          19:30 Uhr<br>
                                                          20.4. - 24.5.<br>
                                                          <br>
                                                          a.i.p. galerie<br>
                                                          Suarezstraße 8<br>
                                                          14057 Berlin<br>
                                                          <br>
                                                          Der Künstler
                                                          hat aufgegeben
                                                          alles
                                                          verstehen zu
                                                          wollen. Die
                                                          Ausstellung
                                                          zeigt eine
                                                          Wandmalerei
                                                          mit
                                                          Versatzstücken
                                                          von
                                                          Begegnungen.
                                                          Eine gestische
                                                          Verarbeitung
                                                          von
                                                          Eindrücken.
                                                          Eine
                                                          informelle,
                                                          assoziative
                                                          Vermengung des
                                                          Persönlichen
                                                          mit dem
                                                          Öffentlichen.
                                                          Elemente im
                                                          Raum und
                                                          Zeichnungen
                                                          ergänzen das
                                                          Gesamtbild.</font><br>
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