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<div
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<br>
<b>Lena Braun
</b><b><br>
</b>
<p
style="margin-bottom:
0mm"><b>Hinterzimmer
in
Heaven</b><br>
</p>
<font
size="-2">Bauhaus
- Feminismus -
Modern</font><br>
<p
style="margin-bottom:
0mm">Herzliche
Einladung zur
Ausstellungseröffnung<br>
Freitag,
6.12.2019, 19
Uhr<br>
</p>
<p
style="margin-bottom:
0mm"><br>
</p>
<img
moz-do-not-send="false"
src="cid:part5.4216DB31.114E9E60@galerie-walden.de" alt="Lena"
width="500"
height="358">
<p
style="margin-bottom:
0mm"><font
class=""
color="#666666"><font
class=""
size="-1"><font
class=""
face="Helvetica,
Arial,
sans-serif">6
.- 21.12.2019</font></font></font></p>
<p
style="margin-bottom:
0mm">
</p>
<p
style="margin-bottom:
0mm"><font
size="-2"><i>„</i><i><font
style="font-size: 11pt">Ich
arbeite
derzeit an dem
zweiteiligen
Roman
HINTERZIMMER
IN HEAVEN und
es gibt dort
ein Kapitel,
in dem die
Bauhauskritik
von Tom</font></i><i><font
style="font-size: 11pt">
</font></i><i><font
style="font-size: 11pt">Wolfe und die
Bauhaus-Collection der Modedesignerin Mary Katrantzou eine Rolle
spielen. Durch
die
Beschäftigung
mit diesen
Inhalten und
die weitere
Recherche dazu
wurde mir
klar, wie
krass das
[...] Bauhaus
mit den
Frauen in
seinen Reihen
umgegangen
war. Die</font></i><i><font
style="font-size: 11pt">
</font></i><i><font
style="font-size: 11pt">Frauen wurden sowohl in
Weimar als
auch in Dessau
tatsächlich in
die Weberei</font></i><i><font
style="font-size: 11pt">
</font></i><i><font
style="font-size: 11pt">abgeschoben. Kunst,
Handwerk,
Architektur,
alles - außer
dem Webstuhl -
war dem
weiblichen
Geschlecht
versagt." Lena
Braun über
ihre aktellen
Arbeiten, in
einem
Interview mit
Serene von
Wiesbach</font></i><i><font
style="font-size: 6pt"><br>
</font></i></font><br>
Im
Universum von
Lena Braun
kann alles zu
Material
werden.</p>
<p
style="margin-bottom:
0mm">Seit den
80ern betrieb
sie unter
anderem die
Projekträume,
Schankstätten
und Salons
Loulou Lazard
(mit Suse
Eichinter),
Boudoir, Queen
Barbie Lounge
(mit Bruno
Brunnett und
Jörg Schlick),
Su de Coucou
und Barbiche,
trat als
Schauspielerin
(u.a.
Titelrolle
"Iphigenie" ,
Montpellier
Dance
Festival,
Hebbeltheater,
...),
Filmregisseurin
und
Performance-Künstlerin in Erscheinung, veröffentlichte mehrere
literarische
Werke und
fertigte
zahlreiche
Rauminstallationen
und
Objekte, die
im
Kunstkontext
u.a. zuletzt
bei KiNDL und
im
Schaufenster
zu sehen
waren.<br>
Ihre Arbeiten,
überbordend
und
opulent und
zumeist im
Kosmos von
Kitsch, Camp,
Trash und
queer
culture
angesiedelt,
sind Resultat
einer
intensiven
Auseinandersetzung mit queeren, politischen und feministischen
Themen. Einige
Werkgruppen
rücken
ungewöhnliche
Frauen wie
z.B.
Djuna Barnes ,
Valeska Gert ,
Anita Berber.
,... ins Licht
. Die
Ausstellung
aktueller
Betonskulpturen
ist den
sogenannten
"Bauhausfrauen" gewidmet - Lena Braun übt Kritik am
Bauhaus mit
künstlerischen
Mitteln. <br>
<br>
</p>
<p
style="margin-bottom:
0mm">Sie
initiierte in
Berlin neun
innovative art
spaces, u.a.
die Galerie
Loulou Lasard,
das Boudoir,
das Su de
Coucou und das
Barbiche. Lena
Braun trat als
Schauspielerin, Filmregisseurin (Der Hellblaue Engel, ARTE/ZDF) und
Performance-Künstlerin in Erscheinung, veröffentlichte mehrere
literarische
Werke und
fertigte
zahlreiche
Rauminstallationen,
u.a.
zuletzt die
Califonia Roll
Inside Out im
KINDL Zentrum
für
Zeitgenössische Kunst an. Für diese Arbeit wurde sie vom MoMA P.S.1
New York und
dem Berliner
Kultursenat
mit einem
Arbeitsstipendium
ausgezeichnet.<br>
Ihre Arbeiten,
überbordend
und opulent
und zumeist
im Kosmos von
Kitsch, Camp,
Trash und
queer culture
angesiedelt,
sind
Resultat einer
intensiven
Auseinandersetzung
mit queeren,
politischen
und
feministischen
Themen.<br>
<br>
Am Sa 14.
& So
15.12.2019,
14-18 h findet
bei Walden
Kunstausstellungen
der David
Bowie
gewidmete
Cut-Up-Workshop
"I, I wish I
could jump"
statt
mit Lena Braun
und der
Schauspielerin
und
Theatermacherin
Aida
Kozar.<br>
<br>
<br>
Der Workshop
ist auf 12
Teilnehmer*innen
begrenzt<br>
Anmeldung und
more info:
<a class="moz-txt-link-abbreviated" href="mailto:info@lenabraunberlin.com">info@lenabraunberlin.com</a>[<a class="moz-txt-link-freetext" href="mailto:info@lenabraunberlin.com">mailto:info@lenabraunberlin.com</a>]</p>
<p
style="margin-bottom:
0mm"><font
class=""
size="-1"><font
class=""
face="Helvetica,
Arial,
sans-serif"><font
class=""
color="#ff0000"><b
class="">______________________________________________________</b></font>
<div
class="moz-forward-container"><br>
</div>
<div
class="moz-forward-container">
</div>
</font></font></p>
<p
style="margin-bottom:
0mm"><font
size="-2"><i>"I
am currently
working on the
two-part novel
HINTERZIMMER
IN HEAVEN and
there is a
chapter in
which the
Bauhaus
critique by
Tom Wolfe and
the
Bauhaus
Collection by
fashion
designer Mary
Katrantzou
play a role.
By studying
this content
and further
researching
it, I realized
how
blatantly the
[...] Bauhaus
had dealt with
the women in
its ranks.
The women were
actually
deported to
weaving both
in Weimar and
Dessau. Art,
craft,
architecture,
everything -
except the
loom - was
denied to the
female sex.
"Lena Braun on
her latest
work, in an
interview with
Serene von
Wiesbach</i></font></p>
<font
size="-2"><i>
</i></font><font
size="-2"><i>
</i></font>
<p
style="margin-bottom:
0mm">Everything
in the
universe of
Lena
Braun can
become
material.</p>
<p
style="margin-bottom:
0mm">Since the
80s she has
worked as an
actress
(including
title role
"Iphigenie")
among others
the
project rooms,
taverns and
salons Loulou
Lazard (with
Suse
Eichinter),
Boudoir, Queen
Barbie Lounge
(with Bruno
Brunnett and
Jörg Schlick),
Su de Coucou
and Barbiche ,
Montpellier
Dance
Festival,
Hebbeltheater,
...), film
director and
performance
artist
in appearance,
published
several
literary works
and made
numerous
installations
and objects in
the art
context, among
others last
seen
at KiNDL and
in the shop
window.</p>
<p
style="margin-bottom:
0mm">Her work,
overflowing
and opulent,
mostly in the
cosmos of
kitsch, camp,
trash and
queer culture,
is the
result of an
intense
exploration of
queer,
political and
feminist
issues. Some
groups of
works attract
unusual women,
such as Djuna
Barnes,
Valeska Gert,
Anita Berber.
,... into the
light . The
exhibition of
contemporary
concrete
sculptures is
dedicated to
the
so-called
"Bauhaus
women" - Lena
Braun
criticizes the
Bauhaus with
artistic
means.</p>
<p
style="margin-bottom:
0mm">She
initiated nine
innovative art
spaces in
Berlin, i.a.
the Loulou
Lasard
Gallery, the
Boudoir, the
Su
de Coucou and
the Barbiche.
Lena Braun
appeared as an
actress, film
director (The
Light Blue
Angel, ARTE /
ZDF) and
performance
artist in
appearance,
published
several
literary works
and made
numerous
installations,
including.
most recently
the Califonia
Roll Inside
Out
at the KINDL
Center for
Contemporary
Art. For this
work she was
awarded a
working
scholarship by
the MoMA P.S.1
New York and
the
Berlin
Cultural
Senate. Her
works,
overflowing
and opulent
and
mostly located
in the cosmos
of kitsch,
camp, trash
and queer
culture, are
the result of
an intense
exploration of
queer,
political
and feminist
themes.</p>
<p
style="margin-bottom:
0mm"><br>
</p>
<p
style="margin-bottom:
0mm">On Sat 14
& Sun
15.12.2019,
14-18
h, Walden Art
Exhibitions
will feature
the cut-up
workshop "I, I
wish I could
jump",
dedicated to
David Bowie
with Lena
Braun and
the actress
and
theater-maker
Aida Kozar.</p>
<p
style="margin-bottom:
0mm"><br>
</p>
<p
style="margin-bottom:
0mm"><br>
</p>
<p
style="margin-bottom:
0mm">The
workshop is
limited to 12
participants</p>
<p
style="margin-bottom:
0mm">Registration
and more info:
<a class="moz-txt-link-abbreviated" href="mailto:info@lenabraunberlin.com">info@lenabraunberlin.com</a> [mailto: <a class="moz-txt-link-abbreviated" href="mailto:info@lenabraunberlin.com">info@lenabraunberlin.com</a>]</p>
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