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Kunstausstellungen</font></font><font class="" face="Helvetica,
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Ideal-Passage</font></font><font
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</font><font
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56<br class="">
12043 Berlin</font></font></font></font>
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<td class=""
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hours:<br
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Thu - Sat. 16
- 20 o'clock<br
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and by
appointment<br
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</font> <font
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U-7 Rathaus
Neukölln </font></font></font></font></font><br
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sans-serif"><font
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M41
Sonnenallee /
Ecke
Fuldastraße </font></font></font></font></font>
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<font class=""
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<div
class="moz-forward-container"><font
class=""
color="#ff0000"><b
class="">______________________________________________________</b></font>
<div
class="moz-forward-container"><font
class=""
color="#666666"><font
class=""
size="-1"><font
class=""
face="Helvetica,
Arial,
sans-serif"><font
color="#808080"><font face="Arial, sans-serif"><font style="font-size:
11pt" size="2"><b><br>
</b></font></font></font></font></font></font></div>
<div
class="moz-forward-container"><font
size="+1"><i>nichts
außer
zeichnungen
vol.6 </i></font>
<p
style="margin-bottom:
0mm"
align="left"><font
size="+1"><i><br>
</i></font> </p>
<p
style="margin-bottom:
0mm"
align="left"><font
color="#ff00cc"><font face="Arial, sans-serif"><font size="6"><i><b>architektur</b></i></font></font></font></p>
<p
style="margin-bottom:
0mm"
align="left"><br>
</p>
<p
style="margin-bottom:
0mm"
align="left"><font
face="Arial,
sans-serif">Peter
Boué • Frank
Diersch • Ben
G. Fodor •
Alekos
Hofstetter •
Birgit Hölmer
• </font> </p>
<font
face="Arial,
sans-serif">Werner
Kernebeck •
Pia Linz •
Silvia Lorenz
•<font
face="Arial,
sans-serif"> C</font>hristian
Pilz •</font><font
face="Arial,
sans-serif">
Thomas Ravens</font>
<p
style="margin-bottom:
0mm"
align="left"><br>
</p>
<p
style="margin-bottom:
0mm"
align="left"><b><font
face="Arial,
sans-serif">Herzliche
Einladung zur
Finissage am
Samstag, 14. 3
. 2020</font></b></p>
<p
style="margin-bottom:
0mm"
align="left"><b><font
face="Arial,
sans-serif">(last
chance to see
the
exhibition)<br>
</font></b></p>
<p
style="margin-bottom:
0mm"
align="CENTER"><br>
</p>
<p
style="margin-bottom:
0mm"
align="left"><b><font
face="Arial,
sans-serif">20.02.
- 14.03.2020</font></b></p>
<p
style="margin-bottom:
0mm"
align="left"><b><font
face="Arial,
sans-serif"><br>
</font></b></p>
<img
moz-do-not-send="false"
src="cid:part5.08BAF571.5F0F8B83@galerie-walden.de" alt="Alekos
Hofstetter"
class=""
width="500"
height="292"></div>
<div
class="moz-forward-container"><font
size="-2">Abb.:
Alekos
Hofstetter,
Eins kommt zum
Anderen
(Mittelstück
des
Rückfall-Triptychons),
<br>
</font></div>
<div
class="moz-forward-container"><font
size="-2">2019,
Acryl-Marker,
Tusche,
Permanent-Marker,
Papier auf
Pappe, 67 x
117 cm</font><br>
</div>
<div
class="moz-forward-container"><br>
</div>
<div
class="moz-forward-container">
<p
style="margin-bottom:
0mm"><font
face="Arial,
sans-serif"> </font></p>
<p
style="margin-bottom:
0mm"><font
face="Arial,
sans-serif">Die
Ausstellungsreihe "nichts außer Zeichnungen" gibt es seit 2004. Diesmal*
zeigen wir
zeichnerische
Positionen,
die auf
mannigfaltige
Weise Bezug
zur
Architektur
nehmen.</font></p>
<p
style="margin-bottom:
0mm"><font
face="Arial,
sans-serif">Neben
unserer
Verortung in
der
Ideal-Passage
Neukölln,
einem
Architekturdenkmal, in dem bereits 1907 mit neuen Formen des Wohnens und
Lebens
experimentiert
wurde, in
einem sehr
urbanen, im
Umbruch
befindlichen
Stadtteil von
Berlin, das
aktuell
„hundert Jahre
Großberlin“
begeht, gibt
es einen
weiteren
subjektiven
Grund für
diese
Themenwahl. Im
letzten Jahr
war Walden
Kunstausstellungen
zu Gast in
Skopje,
Nordmazedonien,
einer Stadt
mit
verschiedenen
Schichten sich
überlagernder
Gestaltung im
Stadtraum -
Brutalismus,
Reinszenierung
einer
imaginierten
Antike, ein
jahrhundertealter,
teils
bzyantinischer
Altstadtkern -
„lectures in
architecture“
**</font></p>
<br>
<font
face="Arial,
sans-serif">Die
Ausstellung
möchte das
Thema
vielseitig
beleuchten.
Dabei geht es
nicht um
Antworten und
Lösungen, eher
darum, durch
freies
Assoziieren
mit dem
Besucher in
einen Dialog
zu treten.Das
Spektrum
reicht dabei
sehr weit:</font></div>
<div
class="moz-forward-container"><font
face="Arial,
sans-serif">Überbordende
Rohrfederschichtungen in Bezugnahme auf die Traditionen des Mediums –
Darstellungen
von
Mittelalterlichem,
Verfallenem,
Imaginiertem
-finden sich
bei </font><font
face="Arial,
sans-serif"><b>Frank
Diersch</b></font><font
face="Arial,
sans-serif">.
</font><font
face="Arial,
sans-serif">In
den beinahe
fotografisch
anmutenden
Fettkreidezeichnungen
des</font><font
face="Arial,
sans-serif">
Hamburger
Künstlers</font><font
face="Arial,
sans-serif"> </font><font
face="Arial,
sans-serif"><b>Peter
Boué</b></font><font
face="Arial,
sans-serif">
trifft </font><font
face="Arial,
sans-serif">die
hell-dunkel
Zeichnung, als
moderner</font><font
face="Arial,
sans-serif">
chiaroscuro</font><font
face="Arial,
sans-serif">,</font><font
face="Arial,
sans-serif">
auf
technisierte
organisierte
Räume der
Jetztzeit – „
paint it
black“-
Realismus<b>.
</b></font><font
face="Arial,
sans-serif"><b>Werner
Kernebeck</b></font><font
face="Arial,
sans-serif">
reflektiert
Bild/Abbild/Plan in seinen perspektivischen Überlagerungen.</font><font
face="Arial,
sans-serif"><b>
Silvia Lorenz</b></font><font
face="Arial,
sans-serif">´
nahezu
plastisch
wirkende
Zeichnungen
reagieren auf
die
unmittelbare
Situation
eines sich
permanent im
Abriss und
Umbau
befindlichen
Stadtbildes.</font><font
face="Arial,
sans-serif">
Die
Zeichnungen
von </font><font
face="Arial,
sans-serif"><b>Pia
Linz</b></font><font
face="Arial,
sans-serif">
sind
Protokolle
zeichnerischer
Recherche vor
Ort -
Dokumente von
Forschungssituationen, Kartographien, komplexe, aus der Nähe betrachtet
detailreiche
Gefüge.</font><font
face="Arial,
sans-serif"> </font><br>
<font
face="Arial,
sans-serif">"</font><font
face="Arial,
sans-serif"><b>Christian
Pilz</b></font><font
face="Arial,
sans-serif">
sucht
zeichnerisch
die
labyrinthischen
Konstruktionen
eines
Weltenbaus,
der, obwohl
reale
Figurationen
diese
Architekturen
bevölkern,
nichts mit
Realismus zu
tun hat. Seine
Netzwerkzeichnungen erinnern an die „Caceri d’invenzione“, an die
phantastischen
Entwürfe von
Kerkern des
Giovanni
Battista
Piranesi, der
diese zum Teil
unterirdischen
Gewölbe
erfunden hat,
um seiner
überbordenden
Phantasie Herr
zu werden."
(Eugen Blume)
</font><font
face="Arial,
sans-serif">Die
„New Quarters“
des <b>Thomas
Ravens</b>
scheinen teils
futuristisch
und visionär.
Sie sind dies
jedoch nur im
Sinn eines
historischen
Echos au</font><font
face="Arial,
sans-serif">f</font><font
face="Arial,
sans-serif">
eine Le
Corbusier-Moderne,
die längst von
einem Konzept
des
„Anthropozän“
überrollt
wurde. Das
umfangreiche
Großprojekt
Incipit Vita
Nova („Ein
neues Leben
beginnt“) des
</font><font
face="Arial,
sans-serif">Wiener
</font><font
face="Arial,
sans-serif">Künstlers
</font><font
face="Arial,
sans-serif"><b>Ben
G.</b></font><font
face="Arial,
sans-serif"> </font><font
face="Arial,
sans-serif"><b>Fodor</b></font><font
face="Arial,
sans-serif">
untersucht,
wie sich
utopische oder
totalitäre
Gedanken in
vielen jener
Bauten und
Denkmäler
manifestieren,
die unser
Lebensumfeld
bis heute
prägen.</font><font
face="Arial,
sans-serif"><b>
Alekos
Hofstetter </b></font><font
face="Arial,
sans-serif">nimmt
Bezug auf die
sich im Wandel
der Zeit
verändernden
Perspektiven
auf die
Moderne,
insbesondere
auch auf die
Architektur
des
Brutalismus.
Thema des
Werkzyklus
„Tannhäuser
Tor“ (seit
2012,
ursprünglich
gemeinsam mit
Florian
Göpfert) ist
das Verhältnis
von Raum, Zeit
und Distanz.</font><font
face="Arial,
sans-serif"><b>
Birgit Hoelmer</b></font><font
face="Arial,
sans-serif">
realisiert
aktuell direkt
an den
Galerieräumen
eine
großformatige
zeichnerisch-installative Intervention.</font>
<p
style="margin-bottom:
0mm"><font
size="-2"
face="Arial,
sans-serif"><i><br>
</i></font></p>
<p
style="margin-bottom:
0mm"><font
size="-2"
face="Arial,
sans-serif"><i>*</i>Die
Ausstellungsreihe "nichts außer Zeichnungen" war</font><font size="-2"
face="Arial,
sans-serif">
bisher in
Berlin (3x)
Den Haag,
Hamburg,
Maastricht
(2x) und
Münster zu
sehen.</font><br>
</p>
</div>
<div
class="moz-forward-container"><font
class=""
color="#666666"><font
class=""
size="-1"><font
class=""
face="Helvetica,
Arial,
sans-serif"><font
size="-2"
face="Arial,
sans-serif"><i>"</i><i>die
Kunst, etwas
Statisches in
einen
Reisemodus zu
versetzen</i><i>"
Hajo Schiff,
taz Hamburg</i></font></font></font></font><font
size="-2"> </font>
<p
style="margin-bottom:
0mm"><font
size="-2"
face="Arial,
sans-serif">**</font><font
size="-2"
face="Arial,
sans-serif"><font
class=""
color="#666666"><font
class=""><font
class=""
face="Helvetica,
Arial,
sans-serif"><font
face="Arial,
sans-serif">„lectures
in
architecture“</font></font></font></font>:
Wir
präsentierten
unseren
Projektraum in
Skopje und
besuchten
Architekturvorträge
und
Präsentationen,
u.a. “Space as
Instrument",
“Bauhaus
Renovation and
Concept of the
Kolleg”,
“Communicating
Architecture”,
"presentation
of the
modernist map
of Skopje" </font>
</p>
<font
size="-2"> <font
class=""
color="#666666"><font
class=""><font
class=""
face="Helvetica,
Arial,
sans-serif"><font
color="#808080"><font face="Arial, sans-serif"><font style="font-size:
11pt"><b> </b></font></font></font></font></font></font></font></div>
<font
size="-2"><br>
</font>
<div
class="moz-forward-container"><font
size="-2"> </font><br>
<font
color="#808080"><font
face="Arial,
sans-serif"><font
style="font-size: 11pt" size="2">mit besten Grüßen <br>
</font></font></font></div>
<div
class="moz-forward-container"><br>
</div>
<div
class="moz-forward-container">
<font class=""
size="-1"><font
class=""
face="Helvetica,
Arial,
sans-serif">
<div
class="moz-forward-container"><font
class=""
color="#666666"><b
class="">english
version</b></font></div>
<div
class="moz-forward-container"><font
class=""
color="#ff0000"><b
class="">______________________________________________________</b></font></div>
</font></font><font
class=""
color="#666666"><font
class=""
size="-1"><font
class=""
face="Helvetica,
Arial,
sans-serif"><font
class=""
color="#ff0000"><b
class=""> </b></font></font></font></font>
<p
style="margin-bottom:
0mm"><font
face="Arial,
sans-serif"><font
size="2">The
exhibition
series
"Nothing
Except
Drawings" has
been in
existence
since 2004.
This time we
are showing
positions in
drawings that
refer to
architecture
in a variety
of ways.</font></font></p>
<br>
<font
face="Arial,
sans-serif"><font
size="2">In
addition to
our location
in the
Ideal-Passage
Neukölln, an
architectural
monument in
which
experiments
with new forms
of living and
life were
already being
experimented
in 1907, there
is a very
urban district
in Berlin that
is currently
undergoing
change and is
currently
celebrating "a
hundred years
of Greater
Berlin"
another
subjective
reason for
this choice of
subject. Last
year Walden
visited
Skopje, North
Macedonia, a
city with
various layers
of overlapping
design in
urban space -
brutalism,
re-enactment
of an imagined
antiquity, a
centuries-old,
partly
Byzantinian
old town
center -
"lectures in
architecture"</font></font><br>
<font
face="Arial,
sans-serif"><font
size="2">The
exhibition
would like to
illuminate the
topic in a
variety of
ways. It is
not a question
of answers and
solutions, but
rather of
entering into
a dialogue
with the
visitor
through free
association.The
spectrum
extends very
far:</font></font><br>
<p
style="margin-bottom:
0mm"><font
face="Arial,
sans-serif"><font
size="2">Exuberant
reed pen
drawings with
reference to
the traditions
of the medium
-
representations of the medieval, decayed, imagined - can be found of<b>
Frank Diersch</b>.
In the chalk
drawings by
the Hamburg
artist <b>Peter
Boué</b>, the
light-dark
drawing, as a
modern
chiaroscuro,
meets
technically
organized
spaces of the
present day -
"paint it
black" -
realism. <b>Werner
Kernebeck</b>
reflects image
/ image / plan
in his
perspective
overlays. <b>Silvia
Lorenz</b>'s
almost
sculptural
drawings react
to the
immediate
situation of a
cityscape that
is constantly
being torn
down and
rebuilt. <b>Pia
Linz</b>'s
drawings are
logs of
on-site
drawing
research -
documents of
research
situations,
cartographies,
complex
structures
that are
detailed when
viewed up
close. "<b>Christian
Pilz</b>
graphically
searches for
the
labyrinthine
constructions
of a world
structure
that, although
real
figurations
populate these
architectures,
has nothing to
do with
realism. His
network
drawings are
reminiscent of
the "Caceri
d’invenzione",
the fantastic
designs of the
dungeons of
Giovanni
Battista
Piranesi, who
invented these
partly
underground
vaults to
master his
exuberant
imagination."
(Eugen Blume)
The "New
Quarters" by <b>Thomas
Ravens</b>
sometimes seem
futuristic and
visionary.
However, they
are only in
the sense of a
historical
echo of a Le
Corbusier
modernism that
has long been
overrun by a
concept of the
“Anthropocene”. The extensive large-scale project Incipit Vita Nova ("A
New Life
Begins") by
the Viennese
artist <b>Ben
G. Fodor</b>
examines how
utopian or
totalitarian
thoughts
manifest
themselves in
many of the
buildings and
monuments that
still shape
our living
environment
today. <b>Alekos
Hofstetter</b>
refers to the
changing
perspectives
on modernity,
especially the
architecture
of brutalism.
The theme of
the work cycle
"Tannhäuser
Tor" (since
2012,
originally
together with
Florian
Göpfert) is
the
relationship
between space,
time and
distance. <b>Birgit
Hoelmer</b> is
currently
implementing a
large-format
drawing-installation
intervention
directly at
the gallery
rooms.</font></font></p>
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